اینجا هیچ غرضی در کار نبوده و من شخصا از برگزاری چنین برنامه هایی ناراحت نیستم.ولی اثار برامس یا بتهون را همیشه در رپرتوار ارکستر فیلارمونیک برلین بدون لفظ بزرگداشت اجرا میکنند اما به نظر من برنامه کنسرت نباید با لفظ بزرگداشت شروع شود.زیرا چنین افرادی که خود موسس ارکستر سمفونیک تهران بودهاند اندکی حق دارند که بزرگ باشند. اثار سخت و تکنیکی او هنوز پس از گذشت 47 سال ضبط نشده اند و او را فقط هم به عنوان اهنگساز فیلم نباید شناخت.
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آموزش موسیقی استاد حنانه
۱۳۸۷ آذر ۲۲, جمعه
۱۳۸۷ آذر ۱۵, جمعه
Execrable Caprisse Op 13 M.Hannaneh-Per pianoforte e Orchestra
Execrable Caprisse Op 13 M.Hannaneh-Per pianoforte e Orchestra
CADENZZA
CADENZZA
Aug. 2000© Saba Studio- Tehran-Iran
Piano Solo: Amir ali Hannaneh( Educated from M.G.U.K.I-University of art and Cultures of moscow"Pedagology of Performance art" and diploma of piano palying from Moscow music Academy in 1997
Qasem Abedini: Song Engineering and Mix
Hamid reza Dibazar: Recording Assistant
A.Gharibi: Camputer Graphic
Muhamad Ali Amini: Technical supervision
Hamid reza Dibazar: Recording Assistant
A.Gharibi: Camputer Graphic
Muhamad Ali Amini: Technical supervision
The copyright in this sound recording is owned by AMIR ALI HANNANEH, PIANIST AND MODERN COMPOSER
۱۳۸۷ آبان ۲۷, دوشنبه
خوانندگان گرامی :حقوق نویسنده این وبلاگ محفوظ است.
کلیه عکسهای این وبلاگ متعلق به شخص حقیقی" امیر علی حنانه" میباشد.و همگی این عکسها و مدارک از آرشیو اینجانب امیر علی حنانه میباشد.کلیه حقوق مادی(؟)ومعنوی آن متعلق به امیر علی حنانه"به شماره شناسایی 18/2 کانون نوازندگان موسیقی کلاسیک خانه موسیقی با درجه هنری پیوسته درجه +1 میباشد.
Farabi radio symphonic orchestra was founded by Morteza Hannaneh Tehran-Iran in 1963
Farabi radio symphonic orchestra was founded by Morteza Hannaneh Tehran-Iran in 1963
MortezaHannaneh is the true founder of the modern national music in Iran .I think it doesn't need to explain his biography to the Iranian and the interested persons in Iranian modern national music. Every one knows that graduated from the Tehran conservatory. (HonarestaneAliyeMusiqi , he cooperated with ParvizMahmood, the famous composer who supported him to found the Tehran symphonic orchestra. from (1952 to 1954)he was the conductor of this orchestra. He went to Italy to study more and research on music in late 1954 . Getting remarkable scientific experiences on music, he returned to Iran after eight years .
MortezaHannaneh and his colleagues : FereydoonNasseri the late , kasravi and Mrs. Shahniya for the second time in Iran music history succeeded to found another symphonic orchestra named Farabi in Iran radio . MortezaHannanehwas invited by UNESCO to take part in the congress of the first world modern composers in Paris on June1966 .This was the first time that Iran was invited to take part in such congress. You know that every year, the world modern composers were invited to Paris, on June. The composers should introduce their recorded works, of their countries in that congress. The best work must be performed lively in front of the audience on the Paris radio & TV. The selected ten tops were broadcast all over the world. This introduces the different nation's music to the world and every country was presented to the musical works of another country. MortezaHannanehwas invited from Iran to the congress for the first time. while no countries but Japan and turkey were invited among the whole Asian and African countries. Even the former Eastern Germany (D.D.R) after the three-year conflict took part in the congress for the first time and introduced his modern music.
Some developing countries opposed against the invitation of Iran to the congress. But the head of congress mentioned that Iran has been one of the developed countries which his music has improved simultaneously with Europe. Hannaneh says, "Today's modern music is a composition of sounds and voices in which even the voice of animals is heard. The west world is thirsty to find new voices and sounds and tries to bring the music out of any oldness and sentimentalism. So every country whose musical works was combination of expressions and feelings, was called laughing stoke and disappointed to succeed. Morteza Hannaneh notes "first, I worried about this subject, and although I myself was witness of modern music improvement in Italy, I got my given tape again .But when I heard the work of Russians and some other nations which had a form and a frame of instrumental music, I decided to return my recorded music tape from Iran to the congress. This work was made by Hannaneh the own. Its name was "the Dream of the little devil" from oratorio accompanied with the voice of Hossein Sarshar as the Tenor soloist and performed by Farabi radio symphonic orchestra. Everyone who heard the work, had a very good opinion about it. So the Jury agreed that it is the best modern music among the whole works since Iran had had remarkable changes in its music. The head of congress expressed "we hope to hear more modern and interesting works and especially new voices from Iranian in near future." Rest of the countries werent happy for this decision but they had to buy the best work from Iran and broadcast it from their countries. It was even recorded on a gramophone disk and became a universal work in modern music of Iran. After Iran, the best works were as following: Poland, England Czechoslovakia, Hungary, Sweden, Austria, Yugoslavia and France. Italy with 700 years\experience and Germany couldnt succeed in this competition. The jury even laughed at the modern music of the (former Soviet Union) Russians, and called them backward.
In this situation the work of Iran not only wasn't funny but also was the best one." I hope to take part of Iran in this congress for the next years with new modern works. I invited all Iranian composers to introduce their partitures to the scientific music section of radio.FarabiOrchestra started his activity From 1963 and then the interested people in new Iranian scientific music heard new works from radio that differed too much from the past. The music of Iran had come up to its life and it was expected to be continued more energetically and fondly .In this period FarabiOrchestra performed many brilliant works. Unfortunately and suddenly this Orchestra cut his activity after 10 years. Before talking about Hannaneh's resignation, it is better to say something about the activities of the orchestra and the reasons of stopping it . Fereydoon Nasseri mentioned, "One of the biggest problems about the orchestra was reporting unreal news about the spent money for activity of it .For example they announced this money 4 times more than the reality. Morteza Hannaneh said "I prove that the recording of Farabi orchestras cost very cheaper than the other orchestres. because the member of this orchestra were Frequently young and were paid just 15 tomans per 4 hours. While the elder ones got 200 tomans since we couldnt perform and record the "programs music" by a traditional instrument like "Tar", thus all of the orders were given to the Farabi orchestra."
Nasseri says, "This was just the only orchestra which could keep the respectability of music of Iran. Except the solo instruments, the records of this orchestra were the only work sent to other countries and even won the first prize of the congress in Paris. It was broadcast through many foreign Radios. Well was the problem of Iran music solved by resignation of Hannaneh and his colleagues? Was it a good decision? Every one had a different view. But Hannaneh finally announced that "Although all of my colleagues are worried about my resignation and make me change my decision, and according to their said, I shouldn't deliver this great responsibility to the artless persons. You know that our energy is limited and I can't to lerate the whole disturbances. specially in the field of art .I face the affected and faithless activities and persons making me not to perform any remarkable work. I proved during these years that I devoted my life to help the people and I was at their service. If you compare our works in Farabi orchestra with the same ones in other orchestras, you will get the differences and qualities. Thus this is the educated young turn, to try and continue this way. Having positive activities we expected to be supported at least. If I knew how to play instrument just for funny and earning I would surely do it. I hope my resignation is agreed. I think that every noble and hungry man and woman in Iran prefer living freely to live in a poisonous situation." As you see Morteza Hannane succeeded universally in the Paris UNESCO congress in 1966. His success had originated from forming Radio symphonic orchestra on the base of scientific and academic music ; making the modern music of Iran improve universally and internationally ; founding Farabi radio symphonic orchestra ; performing and recording the famous composers' works and also drag the Iranian music toward to polyphonic route's. Hannaneh worked on composing and researching on Iranian Modals music. He gradually completed his works and began to write music for many films. Of course he believed that compose music for films, wasnt an artistic activity. He studied on himself and discovered his style of Composition "Iranian ppolymodality, studying and researching on music which is heard clearly and easily in his works. Today his son, AmirAli Hannaneh continues his way .theory of" Modes Marriage" is the new VISION on modern Iranian music. Next article on the Blog:you will read about the concept of " Modern Music " which is based of Composition on new " fusion" of" world music" based on thesis, not anti thesis means. 25 October 2008 tehran.
MortezaHannaneh is the true founder of the modern national music in Iran .I think it doesn't need to explain his biography to the Iranian and the interested persons in Iranian modern national music. Every one knows that graduated from the Tehran conservatory. (HonarestaneAliyeMusiqi , he cooperated with ParvizMahmood, the famous composer who supported him to found the Tehran symphonic orchestra. from (1952 to 1954)he was the conductor of this orchestra. He went to Italy to study more and research on music in late 1954 . Getting remarkable scientific experiences on music, he returned to Iran after eight years .
MortezaHannaneh and his colleagues : FereydoonNasseri the late , kasravi and Mrs. Shahniya for the second time in Iran music history succeeded to found another symphonic orchestra named Farabi in Iran radio . MortezaHannanehwas invited by UNESCO to take part in the congress of the first world modern composers in Paris on June1966 .This was the first time that Iran was invited to take part in such congress. You know that every year, the world modern composers were invited to Paris, on June. The composers should introduce their recorded works, of their countries in that congress. The best work must be performed lively in front of the audience on the Paris radio & TV. The selected ten tops were broadcast all over the world. This introduces the different nation's music to the world and every country was presented to the musical works of another country. MortezaHannanehwas invited from Iran to the congress for the first time. while no countries but Japan and turkey were invited among the whole Asian and African countries. Even the former Eastern Germany (D.D.R) after the three-year conflict took part in the congress for the first time and introduced his modern music.
Some developing countries opposed against the invitation of Iran to the congress. But the head of congress mentioned that Iran has been one of the developed countries which his music has improved simultaneously with Europe. Hannaneh says, "Today's modern music is a composition of sounds and voices in which even the voice of animals is heard. The west world is thirsty to find new voices and sounds and tries to bring the music out of any oldness and sentimentalism. So every country whose musical works was combination of expressions and feelings, was called laughing stoke and disappointed to succeed. Morteza Hannaneh notes "first, I worried about this subject, and although I myself was witness of modern music improvement in Italy, I got my given tape again .But when I heard the work of Russians and some other nations which had a form and a frame of instrumental music, I decided to return my recorded music tape from Iran to the congress. This work was made by Hannaneh the own. Its name was "the Dream of the little devil" from oratorio accompanied with the voice of Hossein Sarshar as the Tenor soloist and performed by Farabi radio symphonic orchestra. Everyone who heard the work, had a very good opinion about it. So the Jury agreed that it is the best modern music among the whole works since Iran had had remarkable changes in its music. The head of congress expressed "we hope to hear more modern and interesting works and especially new voices from Iranian in near future." Rest of the countries werent happy for this decision but they had to buy the best work from Iran and broadcast it from their countries. It was even recorded on a gramophone disk and became a universal work in modern music of Iran. After Iran, the best works were as following: Poland, England Czechoslovakia, Hungary, Sweden, Austria, Yugoslavia and France. Italy with 700 years\experience and Germany couldnt succeed in this competition. The jury even laughed at the modern music of the (former Soviet Union) Russians, and called them backward.
In this situation the work of Iran not only wasn't funny but also was the best one." I hope to take part of Iran in this congress for the next years with new modern works. I invited all Iranian composers to introduce their partitures to the scientific music section of radio.FarabiOrchestra started his activity From 1963 and then the interested people in new Iranian scientific music heard new works from radio that differed too much from the past. The music of Iran had come up to its life and it was expected to be continued more energetically and fondly .In this period FarabiOrchestra performed many brilliant works. Unfortunately and suddenly this Orchestra cut his activity after 10 years. Before talking about Hannaneh's resignation, it is better to say something about the activities of the orchestra and the reasons of stopping it . Fereydoon Nasseri mentioned, "One of the biggest problems about the orchestra was reporting unreal news about the spent money for activity of it .For example they announced this money 4 times more than the reality. Morteza Hannaneh said "I prove that the recording of Farabi orchestras cost very cheaper than the other orchestres. because the member of this orchestra were Frequently young and were paid just 15 tomans per 4 hours. While the elder ones got 200 tomans since we couldnt perform and record the "programs music" by a traditional instrument like "Tar", thus all of the orders were given to the Farabi orchestra."
Nasseri says, "This was just the only orchestra which could keep the respectability of music of Iran. Except the solo instruments, the records of this orchestra were the only work sent to other countries and even won the first prize of the congress in Paris. It was broadcast through many foreign Radios. Well was the problem of Iran music solved by resignation of Hannaneh and his colleagues? Was it a good decision? Every one had a different view. But Hannaneh finally announced that "Although all of my colleagues are worried about my resignation and make me change my decision, and according to their said, I shouldn't deliver this great responsibility to the artless persons. You know that our energy is limited and I can't to lerate the whole disturbances. specially in the field of art .I face the affected and faithless activities and persons making me not to perform any remarkable work. I proved during these years that I devoted my life to help the people and I was at their service. If you compare our works in Farabi orchestra with the same ones in other orchestras, you will get the differences and qualities. Thus this is the educated young turn, to try and continue this way. Having positive activities we expected to be supported at least. If I knew how to play instrument just for funny and earning I would surely do it. I hope my resignation is agreed. I think that every noble and hungry man and woman in Iran prefer living freely to live in a poisonous situation." As you see Morteza Hannane succeeded universally in the Paris UNESCO congress in 1966. His success had originated from forming Radio symphonic orchestra on the base of scientific and academic music ; making the modern music of Iran improve universally and internationally ; founding Farabi radio symphonic orchestra ; performing and recording the famous composers' works and also drag the Iranian music toward to polyphonic route's. Hannaneh worked on composing and researching on Iranian Modals music. He gradually completed his works and began to write music for many films. Of course he believed that compose music for films, wasnt an artistic activity. He studied on himself and discovered his style of Composition "Iranian ppolymodality, studying and researching on music which is heard clearly and easily in his works. Today his son, AmirAli Hannaneh continues his way .theory of" Modes Marriage" is the new VISION on modern Iranian music. Next article on the Blog:you will read about the concept of " Modern Music " which is based of Composition on new " fusion" of" world music" based on thesis, not anti thesis means. 25 October 2008 tehran.
۱۳۸۷ مهر ۳۰, سه‌شنبه
FARABI ORCHESTRA ...The radio symphonic orchesrta of Iran. was founded in 1963 by Morteza hannaneh.
اركستر فارابي :تأسيس 1341 تهران توسط " مرتضي حنّانه"
Farabi" radio symphonic orchestra of Iran. 1963/ Morteza Hannaneh"
Research:Amir Ali Hannaneh
Farabi" radio symphonic orchestra of Iran. 1963/ Morteza Hannaneh"
Research:Amir Ali Hannaneh
نوشته امير علي حنّانه مهرماه 1387
موسيقي ملّي ايران است ، ديگر فكر نمي‌كنم امروز نيازي به تشريح بيوگرافي او براي مردم و علاقه مندان به موسيقي ملي ايران باشد . چون همه مي‌دانند كه او پس از اتمام تحصيلات در هنرستان عالي موسيقي به مدّت زيادي با پرويز محمود (Parviz mahmood) آهنگساز معروف كار مي‌كرد و با كمك او پايۀ اركستر سمفونيك تهران (Tehran Symphonic Orchestra) را ريخت و پس از عزيمت پرويز محمود و روبيك گريگوريان به آمريكا مرتضي حنّانه به مدت دو سال سرپرست هنري اركستر هنري تهران را به عهده گرفت از اواخر 1329 تا اواسط پاييز 1332 .
در اواخر سال 1332 او به ايتاليا رفت و مدت 8 سال به كار و تحقيق پرداخت و با توشه علمي قابل توجهي به تهران بازگشت مرتضي حنّانه بار ديگر در تاريخ موسيقي كشورمان موفق شد كه با همت همكاران خود زنده ياد" فريدون ناصري" و كسروي و خانم شهنيا اركستر سمفونيك ديگري به نام اركستر فارابي را در راديو ايران تأسيس کند. در تيرماه 1344 مرتضي حنّانه از طرف سازمان فرهنگي يونسكو (Unesco) براي شركت در كنگرۀ آهنگسازان معاصر جهان، به پاريس دعوت شد اين اولين باري بود كه از ايران براي شركت در چنين كنگره اي دعوت به عمل آمده بود!
مي دانيد كه هر سال در ماه ژوئن آهنگسازان معاصر جهان از طرف يونسكو به پاريس دعوت مي‌شدند و در اين كنگره هر كشوري آثار ضبط شده آهنگسازان معاصرش را معرفي مي‌كرد و اين آثار پس از پخش، از طرف هيئت داوران مورد قضاوت قرار مي گرفت در ميان همه اين آثار تعداد ده اثر از اين آهنگسازان انتخاب مي‌شد . اثر هنري نفر اول در راديو تلويزيون پاريس در حضور مردم اجراي زنده مي‌شد و از راديو نيز پخش مي گرديد. آثار9 نفر آهنگسازان بعدي به علاوه اثر نفر اول از فرستنده هاي مختلف دنيا پخش مي گرديد و با اين عمل موسيقي ملل مختلف جهان را به هم معرفي ميكردند. و هر كشور با موسيقي كشور ديگر، به راحتي آشنا مي‌شد براي اوّلين بار مرتضي حنّانه از ايران در اين كنگره شرکت یافت.این در حالي بود كه از كشورهاي آسيايي و آفريقايي به جز تركيه و ژاپن(Turkey) a (Japan) هيچ كشور ديگري در اين كنگره شركت نيافتند.جالب توجه است كه آلمان شرقي (D.D.R) هم پس از سه سال كشمكش براي اوّلين بار در اين كنگره حضور پيدا كرد و موسيقي معاصر خود را عرضه كرد.چون تا آن روز هيچ يك از كشورهاي رو به توسعه مانند تركيه كه تا حد زيادي در موسيقي پيشرفت كرده بود، موفق به شركت در اين كنگره نشده بودند موضوع دعوت از ايران باعث تعجب و اعتراض سايرين گرديد اما رئيس كنگره خاطر نشان ساخت كه ايران در شمار ممالك مترقي است و موسيقي آن هم پا به پاي اروپا پيشرفت كرده است.حنانّه مي‌گويد: موسيقي مدرن امروز جهان از اصواتي تشكيل شده است كه در آن حتي صداي حيوان چهارپا نيز شنيده مي‌شود.دنياي غرب با عطش عجيبي به دنبال صداهاي جديد مي‌گردد و مي كوشد كه موسيقي را از حالت كهنگي و سانتيمنتاليزم Sentimentalisme بيرون آورد. براي همين بود که هر ملتي اگر اثري را ارائه مي داد، كه در آن احساسات و موسيقي با هم آميخته شده بودند.مورد تمسخر قرار مي گرفت و اميد موفقيت خود را به كلي از دست مي داد .
مرتضي حنّانه مي نويسد: در مرحلۀ اول اين موضوع باعث ترس و وحشت من شد و من كه شاهد ترقي موسيقي مدرن بودم نوار ايران را پس گرفتم واز ارائه دادن آن منصرف گرديدم ولي وقتي كارهاي روس ها و چند ملّت ديگر را كه هنوز قالب موسيقي سازي (instrumental) را داشتند شنيدم ،ترديدم از ميان رفت و بار ديگر تصميم گرفتم موسيقي ضبط شده از طرف ايران را در كنگره ارائه بدهم . اين موسيقي اثر خود حنّانه به نام" روياي يك شيطان كوچك" از ارواتوريو Oratorio بود و از صداي حسين سرشار در آن استفاده شده بود . اين اثر مورد توجه فراوان قرار گرفت و داوران همه به اتفاق گفتند: موسيقي ايران تغيير قابل توجهي داشته است و رئيس كنگره در اين باره گفت:اميدواريم كه در سالهاي آينده ايران بتواند كارهاي مدرن تر و جالب تر و بخصوص از صداهاي جديد كشورش استفاده كند و نتيجه داوري اين شد كه ملل مختلف كه از رأي گيري چندان راضي نبودند براي خريد نوار از راديو ايران بر يكديگر سبقت گرفتند و ما در حدود 21 خريدار از 21 كشور جهان پيدا كرديم كه اين نوارها از راديوي كشورشان پخش شد و تبديل به صفحه نيز گرديد يعني موسيقي مدرن ايران در 21 كشور جهان معرفي شد.پس از پيروزي ايران در اين كنگره برندگان به ترتيب عبارت بودند از : لهستان – انگلستان – چك و اسلواكي – مجارستان – سوئد – اتريش – يوگسلاوي و فرانسه و بدين ترتيب معلوم شد كه ايتاليا با 700 سال سابقه و آلمان با آن قدرت عظيم نتوانستند در اين كنگره برنده شوند و حتي هيئت داوران به موسيقي مدرن اتحاد شوروي (روسيه) با آن همه عظمت، خنديدند و آن‌ها را عقب مانده خواندند و باز هم در چنين اجتماعي شركت ايران بسيار جالب توجه بود. من اميدوارم كه سال آينده با كارهاي جديدي كه با زمان تطابق داشته باشد بتوانيم در اين كنگره شركت كنيم من از همگي آهنگسازان دعوت لازم را براي ارائه پارتيتورهاي خود به شوراي علمي راديو به عمل آورده ام .
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اركستر فارابي از سال 41 فعاليت خود را آغاز نمود و علاقه مندان به موسيقي علمي ايران براي اولين بار موسيقي هاي جديدي را از راديو شنيدند كه با آنچه كه قبلاً شنيده بودند، اختلاف فاحشي داشت . موسيقي ايراني جان تازه اي گرفته بود و انتظار مي رفت كه اين راه با علاقه و اشتياقي وافر ادامه يابد دراين مدت اركستر فارابي آثار خيلي درخشاني را اجرا كرد. متأسفانه به ناگهان اين اركستر پس از 10 سال دست از فعاليت برداشت.حال قبل از بررسي علت استعفاي حنّانه به كارهاي اين اركستر و عواملي كه به تعطيلي اركستر انجامید مي پردازم. فريدون ناصري در اين مورد مي‌گويد: يكي از بهانه ها كه براي جلوگيري از ادامه كار اركستر مي تراشيدند سند سازي و دادن گزارشهاي خلاف واقع درباره هزينه اين اركستر بود البته بايد بدانيد كه اين هزينه ها را 4 برابر گزارش مي دادند مرتضي حنّانه مي‌گويد: من ثابت مي‌كنم كه نوار اركستر فارابي از همه اركسترهاي ديگر ارزانتر تمام مي‌شد. چون عموماً اعضاي اركستر> جوان بودند< و براي 4 ساعت فقط 15 تومان مي گرفتند حال آنكه مسن تر ها رقمي نزديك به 200 تومان دريافت ميكردند .چون آرم برنامه ها را با تار نمي توان اجرا كرد همه تقاضاها به اركستر فارابي داده مي‌شد. ناصري مي‌گويد اين تنها اركستري بود كه همواره توانست از آبروي موسيقي كشور دفاع كند به جز نوار سازهاي سولو(solo) تنها نواري كه به خارج رفت و مورد قبول قرار گرفت و حتي در تريبون بين المللي آهنگسازان در پاريس برنده شد نوار همين اركستر بود كه اغلب راديوهاي جهان آن را پخش كردند.خوب آيا با استعفاي حنّانه و كنار رفتن ساير آقايان مشكل موسيقي ملي ايران حل مي‌شود؟آيا كنار كشيدن و رها كردن كار درستي است؟ هر كس نظري داشت ولي نهايتاً خود حنّانه مي‌گويد : با اين كه همكاران عزيز از استعفاي من ناراحت هستند و درصدد اين برآمدند كه من از سرپرستی هنري اركستر استعفا ندهم و به قول ايشان موسيقي ملي ايران را كاملاً در اختيار بي هنران نياندازيم ولي نيروي انسان براي مقابله با ناملايمي ها نيز حد و مرزي دارد مخصوصاً در امور هنرياگر انسان هر روز با كار شكني، دورويي واخلال روبرو شود قادر به ارایه كار ارزنده اي نخواهد بود. من در اين مدت ثابت كردم كه به اين مردم خدمت كردیم . به عنوان مثال يكي از نوارهاي اركستر فارابي و يكي ديگر از نوارهاي اركسترهاي ديگر راديو را در كنار هم بگذاريد و خودتان مقايسه كنيد.حال ديگر جوانان تحصيلكرده بايد در اين راه تلاش كنند.ما در مقابل خدمت، انتظاراتي هم داريم كه از حداقل تجاوز نمي‌كند. من اگر مطربي بلد بودم و آن راه را مي رفتم، شايد زندگيم بهتر از امروز تأمين مي‌شد اميدوارم كه با استعفاي من در چنين موقعيتي موافقت شود چون گمان مي‌كنم هر ايراني اصيل گرسنه ، سرافراز زيستن را به سيري و سرافكندگي ترجيج مي‌دهد. مي بينيد كه مرتضي حنّانه با تشكيل اركسترهاي راديو بر مبناي موسيقي علمي و پيشبرد موسيقي ملي ايران به صورت جهاني و ايجاد اركستر سمفونيك راديو ايران به نام اركستر فارابي و اجرا و ضبط آثار آهنگسازان ارزنده كشورمان و همچنين هدايت موسيقي به سمت پلی فونيك< موفقيت جهاني را در سال 1966 در پاريس به دست آورد و پس از آن كار اصلي او آه محض روي مدهاي موسيقي ايران و تحقيقات گسترده در اين زمينه و تكامل آثارش و نهايتاً نوشتن "موسيقي فيلم "كه آن را هنر نمي دانست براي ارتزاق در سالهاي آتي بود. او زبان و سبك نوين شخصي خود را يافت كه در آثارش به وضوح شنيده مي‌شود.
تهران مهر 1387 امير علي حنّانه
۱۳۸۷ مهر ۲۲, دوشنبه
Pedare azizam khodahafez baraye hamishe,asude bash
من امشب 21 مهرماه 1387 تحقیق خود را در مورد کاپریس لعنتی بصورت جامع روی ادرسهای اینترنتی دیگر خود منتشر کردم.24 مهر امسال اولین سالیست که دیگر شاید این اثر فکر مرا به خود مشغول نخواهد کرد.من وجدانم را راحت کردم و میدانم که دترمینیسم حنانه را شکستم.19 سال فکر بود و هدف.مرتضی راحت باش ان عشق تو جاودانه شد ومن در این راه که مسیری تاریک وغمگین بود به عظیم بودن خداوند پی بردم....amiralihannaneh.blogspot.com 2)amiralihannaneh.blogfa.com va music professional of Ostad morteza hannaneh dar Peykebartar.ir zone 7,8,6. mehre 1387 tehran iran.
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